Cartoonist Bruce Blitz offers instructions on how to create wacky cartoon figures and zany comic characters. How To Draw Blitz Cartoons has 34 ratings and 7 reviews. علياء said: كنوع من الاطلاع، قرأت هذا الكتيب المميز، الذي يشرح كيفية الرسم الكارتوني تحديداً،. Learn to draw and cartoon from a professional cartoonist! DVD Title – “Blitz Cartooning Library” Description – This collection of instructional DVDs is Blitz’s.
Cartoonist Bruce Blitz offers instructions on how to create wacky cartoon figures and zany comic characters. Bruce gets down to basics with facial expressions, action poses, and even cartoon faces drawn from vegetables.
He also demonstrates an animated drawing made by bfuce successive poses on the pages of his drawing pad, then flipping the tips. Simply by altering the clothing, Bruce quickly draws a mariachi musician, burce Eskimo, a karate expert, and many other characters. He then demonstrates a form of cartooning known as “chalk talk”—a cartoon drawn to a story, song, or poem, usually with a blits or surprise ending.
Bruce shows how to draw cartoon animals like a horse, a chicken, a kangaroo, and everyone’s favorite: On location at the Mystic Marine Life Aquarium in southern Connecticut, he draws a comic seal and some playful dolphins.
After Bruce shows how cartoons can liven up signs for a lemonade stand, a lawn care service, and a painter, a local teacher and some students stop by to ask him to help create a sign for a school fund-raiser. For his Doodle Bruuce, Bruce draws a footprint and turns it into a woman with five babies.
How To Draw… Blitz Cartoons
The cartoonist is in charge of casting the right types of characters for the cartoon setting, so Bruce shows how to create a cowboy, an absent-minded professor, an executive, and more. Joyce Brothers and her granddaughter stop by for some drawing tips, and Bruce performs the Doodle Trick of turning the word Joe into a comic pirate.
To show how important props are in conveying a complete cartoon scene, Bruce cartooninv trees, a speeding car, and a fax machine with tons of paper. He also cartoining the Wheel of Features; gets a few drawings done with the help of some friends; and draws a pretty woman who, when turned upside down, becomes a kindly old king. Drawing figures that really blizt, like sports cartoons and running poses. Bruce shows visiting NBA star Vin Baker how easy it is to draw cartoons and, in the Doodle Trick segment, solves the mystery of how the frog always turns into a prince.
Bruce creates different types of characters in order to match the “actor” to the scene. Friends from the neighborhood stop by to help with “Change Doug’s Mug,” a fun exercise in changing facial features to create a variety of characters.
For the Doodle Trick, Bruce turns a toad into a toadstool. On a program dedicated to animals, Bruce shows how a few simple shapes can become a horse, rbuce pig, or even a acrtooning ostrich. On location at the zoo in Providence, RI, he draws a giraffe and an African elephant.
And in today’s Doodle Trick, he turns the letter “A” into a dog, acrtooning “Q” into a cat, and the word duck into a cartoon duck. Bruce draws cartoon portraits of people from days gone by, from Ben Franklin to Mona Lisa, then goes on location in Essex, Connecticut to draw more from live subjects.
For his Doodle Trick, Bruce turns the word joy into something that gives joy: Bruce creates cartooninf actual comic strip, like the ones in the Sunday funnies, from beginning to end, then shows how to draw everyone’s favorite sailor, Popeye—including an animated version showing Popeye eating his spinach. Bruce demonstrates how to bring inanimate objects to life in a cartoon world by giving them a personality. He turns a saxophone into a cool jazz musician and a toaster into a slice of bread.
Then he draws a picture of a grandpa type and folds the paper a certain way to make the character move. For the Doodle Trick, he shows how a magician and his rabbit can come out of the same hat. Bruce shows the basics of cartooning, step by step and feature by feature, to take the beginner from simple shapes to finished drawings.
Then he spins his new invention, the “Wheel of Features,” and comes up with a wacky face. For his Doodle Trick, he takes a couple of letters and turns them into faces, even turning the word “fun” into his own face. Bruce explains how to draw a cartoon caryooning using different materials and demonstrates the various results they produce. Bruce demonstrates the illusion of depth by showing three viewpoints: Bruce shows how to draw a tennis player and the kicker for a football team, then makes some greeting cards.
Bruce draws an “everyman” figure and then shows how he can cartooinng cast as a next-door neighbor or a deliveryman just by changing the clothing.
Bruce shows how to look at ordinary objects and visually break them down into their basic forms to develop a whole new appreciation for the beautiful things in this world. Bruce shows how to draw a running horse, a slithering snake, and animals that look like people, then makes greeting cards using his cartoon animals. Bruce shows how to “beef up” an ad for a sandwich shop by drawing a fellow eating a giant sub, then leads a tour of the original International Museum of Cartoon Art, where famous original cartoons and comic strips are on display.
Bruce visits the studio of acclaimed comic strip artist John Cullen Murphy, whose beautiful and long-running strip Prince Valiant is read in newspapers nationwide.
Bruce shows how to create a comic strip from beginning to end, discussing gag ideas, layout, lettering, and much more. Special guest cartoonist Jerry Marcus, the creator of a popular comic strip about a husband and wife called Trudy, shares insights on cartooning as a profession.
Bruce draws brucce comical cartoon portrait of his mailman as a fisherman, then a three-quarter view of his nephew posed as a baseball player. Some people call them caricatures, but Bruce just calls them “cartoon portraits. And just as he completes this easy-to-follow sketch, a man delivering pizza arrives just in time to be the next subject. Bruce makes inanimate objects come to life, shows how to draw a sign he once made, and demonstrates how to add “facial expressions” to make a character look deep in thought.
Bruce shows how to take simple everyday shapes and turn them into finished cartoons. He starts by cartoobing an oval; adds guidelines and features; and then, by varying the features slightly and moving them around inside the oval, makes a whole series of cartoon characters that all look different.
Bruce draws himself as a skydiver, then draws a simple scene that tells a story with a moving rain cloud and the sun. Bruce draws a cowboy and a reporter in her studio, then visits the Islands of Adventure at Universal Studios Orlando to meet Spiderman, Popeye, and cartooninng famous cartoon characters. Body language is an extension of facial expressions. Bruce puts the two together by cartoonlng characters in various situations.
After illustrating a real “nose dive” by drawing a comical mosquito diving into a man’s face, Bruce visits with winners of the national Bruce Blitz Art Contest.
Bruce draws both a villain and a hero—because if you don’t have a bad guy, there can be no heroics on the part of the good guy. Using cartoons to pay a visit to school, Bruce draws a gym teacher, a French teacher, and a math teacher. Bruce demonstrates how much fun you can have bltz cartoon kids. He draws a boy on a skateboard, a little girl holding a kitty, and a baby.
The fast-action world of sports is on the drawing board as Blitz illustrates a hurdler, a basketball player, and a diver performing a swan dive. Blitz demonstrates just how easy it is to create an original comic strip, complete with characters, dialogue, and action. It takes more than comics to survive—we humans have to eat, too.
Blitz combines the two by drawing cartoons starring a bguce leg, a waiter, and more. A music-themed show features the comic figures of a tuba player, a piano player, and a conductor as Blitz shows how cartoons and musical motifs fit together. To illustrate how a character can exhibit true emotion, Blitz draws an impatient business executive exuberantly pounding on the desk. Blitz demonstrates how to create an umpire calling out “Strike two!
Blitz shows how to draw many different cartoon animals with a trick of the trade called “start with a heart. Blitz shows how to create and develop heroic characters and imbue them with distinctive personalities. Blitz show how to cartooniny a cartoon from a photograph and makes a figure that can move his eyes and talk.
Body language is an extension of facial expressions, and Blitz uses both elements to illustrate how sketch characters can show emotion. Blitz demonstrates the many intriguing ways of adding shadow effects to cartoons. Also learn how to draw a portrait of an oak tree in a snowy, moonlit setting.
Follow play-by-play instructions in how to draw cartoons depicting sports and athletes and a craft project of a pop-up greeting card. Animals have their own personalities as Blitz shows by drawing a hound dog on the scent and a cat affectionately purring to her master.
Cartooning with Blitz
Price available upon request. KET’s broadcast of this program is made possible in part by:. All Past Episodes Cartooning with Blitz Cartooning with Blitz From A to Zebra Face to Face Fun with the Comics Feature by Feature The Write Tools Let’s Keep Things in Perspective Cartoons in Advertising Drawing Comic Strips with Jerry Marcus Inanimate Objects Come to Life A Notion for Motion You’ve Got Character s I’ve Got an Idea! Super Hero Fun Teachers Have Class A Sporting Chance Read Between the Lions A Hop, Strip, and a Jump Cartoons with Taste Just My Type Start with a Heart A Hero’s Welcome Let’s Face It The Pose Knows The Shadow Knows
Privacy & Cookies Policy
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.